Today, Day 50 of 57 Days of Dresses, marks the last week of this fashion celebration I've endeavored in. Today Jason and I visited pawn shops in search of guitar gear, had lunch at the local Himalayan restaurant, Kathmandu, when on a country cruise up the mountain side and admired the rolling hills, walked along the French Broad river, browsed the local firebrand bookstore, and check out the artist studios in Asheville's River Arts District.
The River Arts District, or "RAD," as some local factions call it, is a run-down industrial side of town down by the river that I guess artsy types built up and created studio spaces and other creative spaces there. In addition to folksy, fine and forgettable artist studios there's antique shops, coffee bars, a dog wash, performing arts stages and the Bharatanatyam dance studio I go to. There's also an abundance of graffiti on everything, which--during these bleak winter months--adds a much-appreciated splash of color on dreary early twentieth-century industrial buildings.Despite the blustering wind, the day was rather sunny and reasonably warm between blusters. Granted today wasn't like the 70 degree springtime preview weather a couple of days ago, I'll take sunny and windy in the mid-40s on a February afternoon.
I got this bodycon dress at the Free People store in Nashville. I've probably spent way too much money there in the past year, but now it's out of driving distance, out of mind! This dress is long-sleeve, which is great for windy "winter" weather, and looks awesome with a part of thick, warm leggings underneath. The dress has a ruched side and a crocheted decolletage that accents the boat neck nicely. The raw hems on the sleeves and the miniskirt add a deconstructionist element that juxtaposes the detail of the crocheted decolletage. I love bodycons, and I love this dress!
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